Vacer Serif Font Family - 14 Fonts
Serif font in seven weights; thin, light, book, regular, bold, black and fat. Includes each weight as italic.
Fedra Sans Bengali Font Family
After designing a Devanagari companion of Fedra Sans in 2007, Typotheque has worked with ITF to cover other Indian writing scripts, to extend the language coverage of Fedra Sans. Fedra Sans Bangla is a Bengali (??????) version of Fedra Sans. Originally developed for visual identities, it works well on paper and computer screen. The Indic script Bengali is the 6th most widely used writing system in the world, with with around 210 million native speakers.
Akhand Odia Font Family
Akhand Odia is a family of 8 compact mono-linear typefaces. The letterforms are dynamic; typically round shapes appear more compact, as their verticals have been flattened. This ‘straightening out’ gives text set in the typefaces a streamlined look. Indeed, Akhand Odia is designed according to a modular system. All shapes bear a strong commonality to each other, without becoming repetitive. However, the curves in the modules have all been optically corrected, removing the mechanical nature that would otherwise become too dominant.
Crank 8 Font Family
Crank 8 is a collaboration between Greg Lindy and Henk Elenga, a founding member of the Dutch Design group Hard Werken. It was designed specifically as the font for Elenga’s retrospective show and catalog. Ideas that were discussed for this new font included contemporary, historical, and utilitarian motives. Crank 8 needed to feel machine-made yet reveal the human touch involved in the manufacturing process. Elements in the font are referential and imaginative, enabling Crank 8 to feel both historical and contemporary.
Grenze Font Family
Grenze is a big typeface system of 9 weights (Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black) with matching italics. A hybrid development between Roman and Blackletter styles, in search of combining the impact and attraction of texture with the readability of classical forms. Designed to be applied mainly in magazines, it presents great performance and a rich palette of colors that invites to uses creative applications. The name of this family derives from the word “frontier”.
Karelia Font Family
Karelia is a contemporary sans serif in four weights and eight styles, sporting a subtle mechanistic flavour. While its spacing, proportions and apertures are geared towards headlines, the details take cues from the opposite end of the spectrum: type designed for the smallest sizes. Karelia elevates these structural elements to an aesthetic role. Dislocated corners carve trapezoid ink traps, echoed by the squared-off counters. The resulting look is conventional in small sizes but expressive when set large.
Around a year ago, I put out a font called United Scripts, in which each key you typed on your keyboard would produce not just a letter, but the full hand-lettered name of a U.S. state.
Caerphilly Font Family - 2 Fonts
I really like Wales; I like the culture, the people and the language. I also like the Welsh legends, especially the ones about King Arthur and Merlin. I am reading a book about Arthur right now, so when I was working on this font, I wanted to give it a Welsh name. Caerphilly is a town in Southern Wales and is home to an immense 13th century castle (Castell Caerffili). Caerphilly font is based on a 16th century manuscript. I kept the glyphs rough, to give it ‘ye olde’ look. Comes with a hoard of diacritics, a bunch of double letter ligatures and some alternate glyphs as well.
Say hello (again) to Lastra! Ideal for for the neighborhood cafe and/or restaurant. This updated version of Lastra looks even more delicious. This beautiful font comes only in capital letters (perfect if you want to make a statement). It also comes equipped with numbers along with a well stocked supply of special characters. Equipped with 5 complimentary styles and a variety of custom flourish glyphs you will be attracting new customers in no time.